Lords of Kobol Ch-ch-ch-changes!

UPDATE: A lot of the info in this post is now obsolete or just plain wrong.  For the latest info and ETA on Colonies of Kobol, read this post.

In this post, I'm going to lay out the future of Lords of Kobol, as well as Colonies of Kobol, my plans for writing it all, my plans for releasing it all, and more.

First off, Lords of Kobol - Book Four - Tales from Ancient Days is dead.  It has been unpublished.  Simply put, I've found it a distraction from the narrative through-line between the trilogy and Book Five.  I never intended to write a Book Five, so having a disconnected, alternate universe Book Four wasn't really an issue six years ago when it was published.  At any rate, it's gone and sequestered to the back of Book Three as Lords of Kobol - Alternate: Tales from Ancient Days.  It's bonus footage, if you will, on the Blu-ray of Book Three.

Also, Book Five is dead.  Long live Prelude.

Since Book Five is a prequel to the trilogy, retitling it Prelude was an obvious decision, plus it mitigates the confusion caused by Book Four.

So, again, if you visit my page on Smashwords, you will no longer find Book Four and you will see that Book Five has been renamed.

Now, on to Colonies of Kobol.

If you haven't been following me on Twitter, Facebook, Instagram, Tumblr, etc., shame.  Secondly, you may not know that I've been doing a Battlestar Galactica rewatch and reread.  I started with the original series back in the spring, followed by Galactica 1980.  Then, I tackled the BSG-verse in chronological order.  First, I read Lords of Kobol - Prelude, then Book One, Two, and Three.  Then I watched Caprica, followed by Blood & Chrome.  As of this writing, I'm at the beginning of Galactica itself's second season.  As I watch each episode, I take notes and livetweet info about the show, both what's on screen and behind-the-scenes.  I also tweet about connections to my Kobol books.  Just look for the hashtags "#BSG #TotalReWatch."

Obviously, the main purpose behind the rewatch and reread is to get my head into the universe so I can start writing again.  I'm making notes, making outlines, and - believe it or not - I've already started writing some scenes that got into my head because I was afraid they'd leave me if I didn't put cursor to screen, as it were.

Volume One will begin with the end of Earth and the fleeing of the Final Five.  It will be followed by a few other books about different colonies, primarily in the years after the flight from Kobol (beginning with the first settlements on Gemenon).  The Earth part of the book is largely outlined already and I like it.

Volume Two deals with the middle ages, sorta, of the Colonies.  Lots of growing pains as humanity rules itself for the first time in millennia without gods watching over them.  (Fans of the original series may like that logo as it's the symbol for Galactica.  Here, it's the seal of the Virgon Empire.)

Finally, Volume Three will take us up to the Fall of the Colonies, fill in some blanks that surround Caprica and Blood & Chrome, and so forth.  I don't want to spoil anything, but part of what I've already written is in the final pages of this book.

Do I have a timetable on when these will be finished?  Well, no.  If I start in earnest in early 2017, maybe it'll be done and ready to publish in 2018.  I can't be more specific than that.  (Writing the Lords of Kobol trilogy took about six or so months, but the words just flowed, man.  Writing Book Five [Prelude] took a couple of years because I fell into a creative funk for a bit.  Who knows if that'll hit me again.)

Is there anything after Colonies of Kobol?  Well, YES.

I'm calling these the "Marble Editions."  I intend to provide author's commentary on the books by means of a link at the end of each chapter that will take the reader to the back of the book, where there will be details on why I made certain choices, images from the writing process, and more.  (I will probably publish this as one, big-ass book.)

Naturally, after those "Marble Editions" will come these "Marble Editions":

Same deal: author's commentary, images, and more woven throughout via links at the end of each chapter.

OK, now here's the big deadline I've set for myself.

March, 2019.

Why then?  The final episodes of Battlestar Galactica aired in March, 2009.  I figure ten years is enough time for me to write all I'm going to write and close out the universe for good.

Stay tuned for more!

My pitch for a trilogy of Galactica films

Fans of Battlestar Galactica likely heard the recent news that Universal has hired a new scribe and director to work on a feature film reboot of the show.  (Lisa Joy, writer-producer of the new Westworld show, and Francis Lawrence, director of a Hunger Games film, are attached.)  All indications are that it will be a variation on the original series and not a reboot of the recent series.

At this stage, I'm somewhat ambivalent because we know next to nothing about the film and how it will be handled.  But I've played in that universe before to some minor acclaim.  My wheels began to spin, and I crafted an outline for a trilogy of films that blend elements of both the original and reimagined series.

Now, I know.  Putting both the '70s and the '00s shows into a plot blender?  I bet it'll end up like this:

I would have said the same.

However, after having written this out, I could enjoy it.  Is it derivative?  Sure, but I think it has the potential to be an action-packed crowd pleaser.

Since there are SPOILERS for a movie that'll never get made, I'll post my pitch after the JUMP.

My son & I review Ray Harryhausen films

Followers of mine know that my son and I like to watch a bunch of movies together.  We review a great many of them over at my Tumblr page.

We started a couple of years ago, watching and reviewing about ninety kaiju-type films in the lead-up to the release of Godzilla (2014).  

Last year, we watched and reviewed about seventy-five Universal & Hammer-style classic monster movies.

Now, at my son’s request, we've watched and reviewed the filmography of the great Ray Harryhausen.

I had the pleasure of meeting Mr. Harryhausen about a decade ago at an event wherein he discussed his career.  It was a cool event, largely because he screened the then-unreleased completed version of his “Tortoise & Hare” short.  (The only black mark, in my opinion, came when he criticized the recent movie King Kong [2005] for being soulless.  I thoroughly disagree with him on that point.)

Click the links to read our reviews:

• How to Bridge a Gorge (1942)
• Tulips Shall Grow (1942)
• Guadalcanal (1943)
• Mother Goose Stories (1946)
• The Story of Little Red Riding Hood (1949)
• Mighty Joe Young (1949)
• The Story of Rapunzel (1951)
• The Story of Hansel and Gretel (1951)
• The Story of King Midas (1953)
• The Beast from 20,000 Fathoms (1953)
• It Came from Beneath the Sea (1955)
• The Animal World (1956)
• Earth vs. the Flying Saucers (1956)
• 20 Million Miles to Earth (1957)
• The Seventh Voyage of Sinbad (1958)
• The Three Worlds of Gulliver (1960)
• Mysterious Island (1961)
• Jason and the Argonauts  (1963)
• First Men in the Moon (1964) 
• One Million Years B.C. (1966)
• The Valley of Gwangi (1969)
• The Golden Voyage of Sinbad (1974)
• Sinbad and the Eye of the Tiger (1977)
• Clash of the Titans (1981)
• The Story of the Tortoise and the Hare (2002)

"The Art of Death": Real Museum Pieces in the Book

I've made no secret that the real Virginia Museum of Fine Arts heavily influenced the fictitious Richmond Museum of Fine Arts.

See?

After the JUMP, you'll see pics of many things at the VMFA (and elsewhere) that inspired various scenes and such in The Art of Death.

Even if you can't make it to the VMFA, maybe it'll make you want to visit your own nearby art museum.

"The Art of Death": Monsters

The Art of Death is available now and its big attraction, I think, is the preponderance of monsters.  Lots of monsters.  Maybe too many.

This is going to get spoilery, but I'm going to list all of the monsters and give (in brief) some of their powers and attributes.

Personally, I'd rather you just read the book yourself and discover them all in turn.  But we're an impatient society, I guess.

Find the monsters after the JUMP.

"The Art of Death": Characters

There are six primary human characters in The Art of Death (download links are HERE).

What follows the JUMP is a semi-spoilery examination of them and their inspirations.  If you want to go into the book virginal, I'd suggest not reading.

"The Art of Death": DOWNLOAD NOW!

Dr. Mason Karlow is a distinguished art museum director and curator with decades of experience around the globe. He's entering his twilight years as he prepares to open his latest and greatest facility. He's also quite evil. 

In a bid for eternal life, Karlow has found a Babylonian artifact and must perform an ancient ceremony in the light of a Blood Moon. He needs sacrifices, lots of sacrifices, and he gathers monsters from the world's folklore to do his bidding. 

Follow Karlow's victims as they fight for their lives in one hellish night at the museum. Vampires, werewolves, mummies, and more await you in The Art of Death!

Available at Smashwords HERE for 99¢

Available at Amazon HERE for 99¢
Available at iTunes HERE for 99¢
Available at Barnes & Noble HERE for 99¢
Available at Kobo HERE for 99¢
Available at Inktera HERE for 99¢
Available at Blio HERE for 99¢

Learn more about THE ART OF DEATH: designing an evil art museum, the monsters, the characters, and real museum pieces in the book.

Reviews:

5 stars out of five on Amazon


"The Art of Death is a great book. Thanks for a reason to keep learning about other cultures. It really is a great read."
-- Isabel


"Really had a great time reading this book, trying not to give much of it away I have to say that the many creatures/monsters that it features is very interesting, the author took the time to do his research and this shows in the variety of them, which is not often seen, (gave me plenty of new tales to search for online). It's well written, enough of a back story for the characters that you get why they do what they do, but not too much to distract from the action of what's happening."
-- I Martin